'Michael' Review: Please Stop I’ve Got Enough
It's somehow been 30 years since Nora Ephron's charming tale of a whimsical angel, played by John Travolta. At long last we have a remake, only now the main character sings "Beat It." This is all a lie, except for the "Beat It" part.
There's an alternate universe where Michael is just a kind of a "seen it all before" (like, literally, since this isn't the first film about Michael Jackson; The Jacksons: An American Dream aired on ABC in 1992) jukebox movie with a good lead performance and a bunch of songs we all like. But, as much as I tried to will myself into this alternative universe while watching Michael, it did not work. I am still very much in the universe where Michael Jackson has been accused of doing some really awful things. (And I've seen the 2019 documentary Leaving Neverland, which the Jackson estate has seemingly erased from existence.) And since Michael is produced by members of Jackson's family, and stars Jaafar Jackson (Michael Jackson's nephew) and has all the rights to Michael Jackson's music, of course none of that is addressed.
If I didn't know any better, based on this movie, I'd assume Michael Jackson died shortly after Bad was released. And I suspect this movie would be just fine with people thinking that's what happened.